13th Kyusetsu Miwa

1951: Born in Hagi, Yamaguchi, Japan
Miwa Kyusetsu's (三輪休雪, 11th generation) third born son.
1975: Attend San Francisco Art Institute, U.S.A
1984: "Now, what you see on enormous ceramic artwork? " / Yamaguchi Prefectural Museum of Art (Japan)
1987: Solo Exhibition " Permanental Destruction" / Gallery Ueda (Japan)
1988: "Modern Eastern and Western Ceramics " / Seoul Art Center (Korea)
1989: "Art Exciting '89 : Beyond the Present" / The Museum of Modern Art Saitama (Japan), Queensland Art Gallery (Australia)
1990: "Discovery of Clay-Modern Ceramics and Primitive Pottery " / Shiga Prefectural Forest of Ceramic (Japan)
1991: "The Flow of Three-Dimensional Expression " / Yamaguchi Prefectural Museum of Art (Japan)
1992: " 'Present' Japan Ceramics 100 " / Mitsukoshi Etoile (France), Head Store of Nihonbashi Mitsukoshi (Japan)
1995: " Hagi Ceramics - Formative Arts of Breakaway and Avantgarde " / Yamaguchi Prefectural Museum of Art (Japan)
1996: " Miwa-gama : The progression of tradition and revolution " / Matsuzakaya Department Store of Nagoya (Japan)
1997: "DEAD END of dead end" / Saitoan Gallery (Japan)
1998: Lazer 1998 Kazuhiko MIWA Project / Akiyoshidai International Art Village (Japan)
1999: Ceramic nowadays "Morphology of Clay" / Takashimaya Department Store of Tokyo and Kyoto (Japan)
2000: " MIWA KAZUHIKO's Tea Room - REI " / Yamaguchi Prefectural Museum of Art (Japan)
2002: " 100 Years of Contemporary Ceramics " / Gifu Prefectural Museum of Arts and Crafts (Japan)
2003: " The flower of Modern Ceramic - Color and Form exchanging influence " / Ibaraki Prefectural Museum of Ceramic and Art (Japan)
2005: The World Ceramic Biennale 2005 " Trans - Ceramic - Art " / Gyeonggi Province (Korea)
2006: "Japan Modern Ceramic : 100 Year- Brilliance " / Ibaraki Prefectural Museum of Ceramic and Art (Japan)
"Ceramic Now +" / Hyogo Museum of Ceramics (Japan)
Paramita Ceramic Competition / Paramita Museum of Art (Japan)
2007: Japan Ceramic Association Award
2009: The 20th Japan Ceramic Art Exhibition - invited / Daimaru Department Store of Tokyo and Osaka (Japan)
2012: Member of IAC (International Academy of Ceramics)
2013: 2013 Cheongju International Craft Biennale / Old tobacco factory (Korea)
2016: "Craft Arts : Innovation of ' Tradition and Avant-Garde ', and the Present Day " / The National Museum of Modern Art (Japan)
" Kōgei (Modern Crafts) and the Tea Ceremony II from the Museum Collection " / The National Museum of Modern Art (Japan)
2017: "A Guide to Contemporary Ceramic Art " / Ibaraki Prefectural Museum of Ceramic and Art (Japan)
"El・Capitan " / Shibuya Kuroda Toen (Japan)
2018: Solo Exhibition "White appears and blooms" / Head Store of Nihonbashi Mitsukoshi (Japan)
" New Orientalia - IAC Member’s Exhibition " / New Taipei City Yingge Ceramics Museum (Taiwan)
" Japon - Japonismes, Objets inspirés , 1867 - 2018 " / Venue Musée des Arts Décoratifs (France)
2019: Solo Exhibition " Rising White " / Fukuoka Mitsukoshi (Japan)
Solo Exhibition " Kanjizai - Enjoy the new diversion " / gallery KAZURASEI (Japan)
" The reflected light ｰTea-ceremony room which wanders about " / The Hagi Uragami Museum (Japan)
Solo Exhibition " SETSUREI - The Succession of MIWA KYUSETSU XIII " / Takashimaya Department Store of Tokyo, Kyoto, Osaka and Nagoya (JAPAN)
2020: " Being a pioneer of expression ｰThe ceramic works of Miwa Kyusetsu XIII (Miwa Kazuhiko)" / The Hagi Uragami Museum (Japan)
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Setsurei Mizusashi water container, 13th Kyusetsu Miwa.Sold Out

Works by the 13th Kyusetsu Miwa may be in stock.

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Size: Diameter25.1cm Width19.8cm Height20.5cm
Item No. :hagi-mika-teat-0003

Setsurei Mizusashi water container, 13th Kyusetsu Miwa.

Hagi ware(hagi yaki) made by 13th Kyusetsu Miwa at Miwa Kiln.
Setsurei Mizusashi water container.

This works is introduced by Japanese ceramic Magazine “Honoh Geijutsu”, April 2023 published.
The magazin “Hono Geijutsu” will be included with this shipment.
It will take 2-3 weeks to ship out this work for preparing wooden box.

Photo by Makitaomoritsugu

Hagi-yaki pottery effectually expresses a certain “simplicity” due to the original standards of its style, the characteristic of the clay, and the glazing technique.
Thus, Hagi-yaki pottery has been widely appreciated by experts of the tea ceremony.

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